Is it contemporary performance art? Is is just a music video. What do you think?
Tuesday, November 5, 2013
YOKO ONO, I LOVE YOU.
Is it contemporary performance art? Is is just a music video. What do you think?
Monday, November 4, 2013
The Reckoning : "Why are there no great female artists?"
http://www.huffingtonpost.com/2013/11/04/the-reckoning_n_4179300.html?ref=topbar
OK everyone. Let's get past that this is a Huffington Post article and move on to what it is about.
Here is the first sentence of the article: "In 2008, four female authors gathered together to address a decades-old question, once posited by art historian Linda Nochlin: 'Why have there been no great women artists?'"
After I read this first sentence is was like "WHAT? How can they say that?" I started listing off women in my head, Louise Bourgeois, Frida Kahlo, Mariana Abramovic, Kara Walker, Mya Lin, Cindy Sherman, Rebecca Horn, Adrian Piper, Eva Hess, Judy Chicago, etc... Then I read the rest of the article. Despite its misleading first line, the article talks about a group of women who are answering that question by shinning light on great female artists that have influenced art of the new millennium. The art world has been traditionally seen as a "Boys Club". Historically men have dominated. Just look at any art history book that focuses on art before the 1950's. With the exception of Georgia O'keeffe, Frida Kahlo, and maybe Marie Cassatt, women artists are hardly mentioned. Then we move into feminist art and the women's movement and things start pick up... a little.
I have always been told that it will be very difficult to break into the art world. And as a female artist, not to mention a female artist of color, it will be even harder. The meaning of all of my work will be attributed to my gender or my race. Even when I insist that most of my pieces have to do with neither. Now, it did take me a while to realize that my work is about being a woman, and in some cases my race does play into my work, but that is because my experiences go into my work. I guess I found it a bit insulting that if I used something feminine in my work, the work was immediately perceived as about the feminist movement. Oh and don't get my started on the use of chains in my work. "You are black, right?." Yes I am of Haitian descent. "Then your work is about being black. That is why you used the chains!" Um... *silence*. Yes this is from an actual conversation. But now I am proud of the work that focuses on these issues, because these issues are a part of who I am. People still interpret the pieces incorrectly... at least differently from how I meant them to be perceived, but that is what is so wonderful about art. It is open to interpretation... even if that is frustrating sometimes. And I always have the fun part of defying expectations and turning people's perceptions of my work, my races, or my gender on their heads.
But anyways back to the article. As a woman I want to represent women in the art world. I love when I see work by a woman. Especially contemporary work. On the hard days, it makes me feel like maybe I can do it too one day. This article talks about two books about influencial female artist from the 1970s onwards.
After the Revolution http://www.amazon.com/After-Revolution-Transformed-Contemporary-Art-Revised/dp/3791347551?tag=vglnkc7306-20
This book looks at influential female artists from the late 70's until the new millennium. The article finished this section with this quote:
"The battles may not all have been won," the authors wrote. "But barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." It will still be a struggle, but more and more female artists are being recognized.
The second book that just came out last month is The Reckoning: Women Artists of the New Millennium http://www.randomhouse.de/book/The-Reckoning-Women-Artists-of-the-New-Millennium/Eleanor-Heartney/e423676.rhd
This book looks at the art 24 international female artists of the new millennium. the samples in the article are intriguing, and I cannot wait to read about these women who are making it in the art world today. My former professor would call it checking out the competition. And I agree. I plan to be showing with these women someday; I should know what they are doing. Because if you don't know what is going on in the world, how can you make good art.
OK everyone. Let's get past that this is a Huffington Post article and move on to what it is about.
Here is the first sentence of the article: "In 2008, four female authors gathered together to address a decades-old question, once posited by art historian Linda Nochlin: 'Why have there been no great women artists?'"
After I read this first sentence is was like "WHAT? How can they say that?" I started listing off women in my head, Louise Bourgeois, Frida Kahlo, Mariana Abramovic, Kara Walker, Mya Lin, Cindy Sherman, Rebecca Horn, Adrian Piper, Eva Hess, Judy Chicago, etc... Then I read the rest of the article. Despite its misleading first line, the article talks about a group of women who are answering that question by shinning light on great female artists that have influenced art of the new millennium. The art world has been traditionally seen as a "Boys Club". Historically men have dominated. Just look at any art history book that focuses on art before the 1950's. With the exception of Georgia O'keeffe, Frida Kahlo, and maybe Marie Cassatt, women artists are hardly mentioned. Then we move into feminist art and the women's movement and things start pick up... a little.
I have always been told that it will be very difficult to break into the art world. And as a female artist, not to mention a female artist of color, it will be even harder. The meaning of all of my work will be attributed to my gender or my race. Even when I insist that most of my pieces have to do with neither. Now, it did take me a while to realize that my work is about being a woman, and in some cases my race does play into my work, but that is because my experiences go into my work. I guess I found it a bit insulting that if I used something feminine in my work, the work was immediately perceived as about the feminist movement. Oh and don't get my started on the use of chains in my work. "You are black, right?." Yes I am of Haitian descent. "Then your work is about being black. That is why you used the chains!" Um... *silence*. Yes this is from an actual conversation. But now I am proud of the work that focuses on these issues, because these issues are a part of who I am. People still interpret the pieces incorrectly... at least differently from how I meant them to be perceived, but that is what is so wonderful about art. It is open to interpretation... even if that is frustrating sometimes. And I always have the fun part of defying expectations and turning people's perceptions of my work, my races, or my gender on their heads.
But anyways back to the article. As a woman I want to represent women in the art world. I love when I see work by a woman. Especially contemporary work. On the hard days, it makes me feel like maybe I can do it too one day. This article talks about two books about influencial female artist from the 1970s onwards.
After the Revolution http://www.amazon.com/After-Revolution-Transformed-Contemporary-Art-Revised/dp/3791347551?tag=vglnkc7306-20
This book looks at influential female artists from the late 70's until the new millennium. The article finished this section with this quote:
"The battles may not all have been won," the authors wrote. "But barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." It will still be a struggle, but more and more female artists are being recognized.
The second book that just came out last month is The Reckoning: Women Artists of the New Millennium http://www.randomhouse.de/book/The-Reckoning-Women-Artists-of-the-New-Millennium/Eleanor-Heartney/e423676.rhd
This book looks at the art 24 international female artists of the new millennium. the samples in the article are intriguing, and I cannot wait to read about these women who are making it in the art world today. My former professor would call it checking out the competition. And I agree. I plan to be showing with these women someday; I should know what they are doing. Because if you don't know what is going on in the world, how can you make good art.
Sunday, October 27, 2013
COSTUMES!
Halloween is fast approaching! I love Halloween! Not only do I get to decorate my house (or in this year's case, my friend Ashley's house) with gorgeous and gruesome decorations, but I get to dress up!
Fashion is an art form its self. I will write a LONG post on that soon. I promise. But for now, here are some of my costumes. Some I created my self, others are hand made. Some of the costumes are even store bought, but I always add my own touches. The details are what make a costume amazing! Now some of thee photos are not the best, but I think you can get the idea of what I was trying to do. It wasn't until recently that I realized that these costumes are my art work as well. In the future I will take better photos. I hope you enjoy. If you have any questions about where I got my ideas, where I obtained pieces, or how I made things please ask in the comments! I am willing to share!
Th Sugar Skull (Halloween 2013)- I have always admired The Day of the Dead. It is such a beautiful and meaningful holiday. I wish we celebrated it here. I wanted a creepy but beautiful costume. I made the shawl, flower head dress and painted my face. I looked at real sugar skulls from Mexico to crate the deign. I bought the skeleton jumpsuit at a local Halloween store. Like I said, the eye is in the details. I raided my grandmother's old jewelry to find the necklaces. It really is just a coincidence that the necklaces are the colors of the Mexican flag. I found the necklaces deep in my jewelry box. Everything came together so well. I am really happy with it.
The Warrior Fairy (August 2013)- So kind of a cross between Game of Thrones and Peter Pan. I did the gold makeup. I made the armor out of spirals of copper wire. I sewed the white under tunic and skirt. I altered the belt with hot glue and paint. Finally, I made the wings out of steel and brass wire. It did not turn out exactly how I wanted it to, but It was a lot of fun. I also made my awesome friend's Octopus hat! She put together the rest of her outfit! Doesn't she look amazing?!!!!
This is a fantasy nymph dress for my friend. I bought the corset but altered and made the rest. I can't say any more about it right now. But it was so fun to make.
Lt. Uhura. OK, not many notes on this. Don't be afraid to ask for help!!!My amazing neighbor Jean made the dress. I found the wig and boots online. I made the earrings and the blue tooth communicator. I got so many compliments!
Yes that is Nichelle Nichols, the Original Lt. Nyota Uhura. She complimented my costume! *SQUEE* Yes I am a fairy again. I made the wings and had dress. I bought the lacy dress at Forever 21. Accessories, Accessories, Accessories.
I've talked about my thesis in a past post. HereI sewed all of the costumes. Actually most of the linens as well. It was so much fun to dress up. Be something I wasn't. I just love dressing up. It was just the cherry on top that I got to do it for my thesis project.
My favorite costume. Th Fall fairy: Yes... I like fairies. I bought the corset. I made the wings from wire and individual fake leaves. The skirt is made from strips of fabric, a belt, and leaves. I think the makeup and hair make the character. Also I made the conscious decision to not wear shoes. This character is in tune with nature. Shoes would have taken away from the character.
Sometimes just one or two items can make a costume. Jean created the hood for me. The basket is from Good Will.
Renaissance Masquerade: My parents bought m the dress in high school. I love Renaissance Faires. I added the mask and jewelry. I think it was a successful costume.
Samwise Gamgee- Five Words: Thrift Shops Are Your Friends.
Fashion is an art form its self. I will write a LONG post on that soon. I promise. But for now, here are some of my costumes. Some I created my self, others are hand made. Some of the costumes are even store bought, but I always add my own touches. The details are what make a costume amazing! Now some of thee photos are not the best, but I think you can get the idea of what I was trying to do. It wasn't until recently that I realized that these costumes are my art work as well. In the future I will take better photos. I hope you enjoy. If you have any questions about where I got my ideas, where I obtained pieces, or how I made things please ask in the comments! I am willing to share!
A Vulcan: I sewed the robes and the dress. The makeup was Key. Vulcans have copper, not iron based blood, so I needed to have a green tint to my skin. I achieved that with green eyeshadow. I also had to create the iconic eyebrows. Elmer's glue sticks are your friends. They glue down and smooth the hairs so you can paint over them. I then drew the eyebrows in.
Sunday, September 8, 2013
I am so...so... sorry.
I have neglected you dear readers... of which I have five... I promise to write soon. Until then, here are pictures of people doing things I do every day, but in ways I shall never be able to do them. A photography series by Jordan Matter. Ballet Dancers in Random Situations.
http://www.lostateminor.com/2013/09/04/ballet-dancers-in-random-situations/
Enjoy. :-)
http://www.lostateminor.com/2013/09/04/ballet-dancers-in-random-situations/
Enjoy. :-)
Wednesday, August 7, 2013
Marina Abramovic's Kickstarter.
So... I found out today that Artist Marina Abramovic has a Kickstarter for the creation of the Marina Abramovic Institute. A new type of museum that allows for audience and visitor participation and interaction with works. Here is the Kickstarter page: http://www.kickstarter.com/projects/422090958/marina-abramovic-institute-the-founders/
Abramovic is asking for $600,000 to start this project. The backers would be considered founders of the museum and receive different incentives for pledging to the museum. This includes incentives ranging from a hug from Abramovic at $1, to discussing your own project with the artist at $5,000, or, my favorite, no acknowledgement at all at $10,000. The museum would allow for a new space to discuss and perform contemporary performance art.
Now I know what many of you are thinking: "Performance art... ugh...", But I truly enjoy Abramovic's work. I love the physicality of it. How emotional it is, and even how gruesome or overwhelming it can be. I understand it may not be everyone's cup of tea, but take a look. I am not asking you to love it, or have a spiritual awakening because of her work, I am just asking you to consider it. The Film, The Artist is Present, gives a nice overview of her work. http://marinafilm.com/about-marina-abramovic I had the chance to see this piece at MoMA and I was moved. Too bad I was too scared to sit across for her. I truly regret that I didn't.
Now the controversy behind this kickstarter. Many people are asking why a wealthy and well known artist Abramovic would ask for money form us "Normal people". She has the money to complete the project herself. She has many wealthy admires and patrons, and could probably fund raise to get the money from them. She recently appeared in the Jay-Z Picasso Baby performance in NYC, and Lady Gaga has even supported the project by creating a video with Abramovic. Here that is by the way: http://www.theverge.com/2013/8/7/4600404/lady-gaga-gets-naked-to-promote-marina-abramovic-institute Why ask us?
Well my readers, why not? It is important to fund the arts. I know a lot of people who would jump at the chance to be a part of an Abramovic project, and this is the chance. The project and fundraising is a large scale performance piece in itself. Some of the prize incentives even discuss learning movements for future performances. Many of Abramovic's past pieces involve audience and viewer participation, and this is no different. It even seems that visiting the museum will be a performance piece.
"Enter, and you'll be asked to sign a contract promising to stay at least six hours. Then you'll don a lab coat and noise-canceling headphones, and put your belongings in a safety deposit box. You'll then be led through a series of exercises including some favorites, such as sitting across from a stranger and making extended eye contact, and meditating in a cave of crystals." -Adrianne Jeffries The Verge:http://www.theverge.com/2013/7/27/4562574/marina-abramovic-institute-kickstarter
In the end we will have an awesome and thought provoking new museum to visit in NYC. But what do you think? Should Abramovic be asking her fan's for the money for a project that could be funded by other means? Will this museum truly be innovative and depend on audience participation? What do you think of performance art?What do you think of Marina Abramovic's art?
I am not sure if I will donate. It may seem shallow and silly, but am still a bit hesitant to give my money to someone so wealthy. But it is going to creating a museum. A museum for performance art, which I myself create. (Maybe I will be in there someday. It would be pretty amazing to have work in a major museum that I helped fund.... *sigh* Dreams.) In a world where art and art education budgets are being cut, spreading knowledge of art is very important. This museum will help do that. And I have to admit, getting a hug form Marina Abramovic for just $1 is tempting.
Abramovic is asking for $600,000 to start this project. The backers would be considered founders of the museum and receive different incentives for pledging to the museum. This includes incentives ranging from a hug from Abramovic at $1, to discussing your own project with the artist at $5,000, or, my favorite, no acknowledgement at all at $10,000. The museum would allow for a new space to discuss and perform contemporary performance art. Now I know what many of you are thinking: "Performance art... ugh...", But I truly enjoy Abramovic's work. I love the physicality of it. How emotional it is, and even how gruesome or overwhelming it can be. I understand it may not be everyone's cup of tea, but take a look. I am not asking you to love it, or have a spiritual awakening because of her work, I am just asking you to consider it. The Film, The Artist is Present, gives a nice overview of her work. http://marinafilm.com/about-marina-abramovic I had the chance to see this piece at MoMA and I was moved. Too bad I was too scared to sit across for her. I truly regret that I didn't.
Now the controversy behind this kickstarter. Many people are asking why a wealthy and well known artist Abramovic would ask for money form us "Normal people". She has the money to complete the project herself. She has many wealthy admires and patrons, and could probably fund raise to get the money from them. She recently appeared in the Jay-Z Picasso Baby performance in NYC, and Lady Gaga has even supported the project by creating a video with Abramovic. Here that is by the way: http://www.theverge.com/2013/8/7/4600404/lady-gaga-gets-naked-to-promote-marina-abramovic-institute Why ask us?
Well my readers, why not? It is important to fund the arts. I know a lot of people who would jump at the chance to be a part of an Abramovic project, and this is the chance. The project and fundraising is a large scale performance piece in itself. Some of the prize incentives even discuss learning movements for future performances. Many of Abramovic's past pieces involve audience and viewer participation, and this is no different. It even seems that visiting the museum will be a performance piece.
"Enter, and you'll be asked to sign a contract promising to stay at least six hours. Then you'll don a lab coat and noise-canceling headphones, and put your belongings in a safety deposit box. You'll then be led through a series of exercises including some favorites, such as sitting across from a stranger and making extended eye contact, and meditating in a cave of crystals." -Adrianne Jeffries The Verge:http://www.theverge.com/2013/7/27/4562574/marina-abramovic-institute-kickstarter
In the end we will have an awesome and thought provoking new museum to visit in NYC. But what do you think? Should Abramovic be asking her fan's for the money for a project that could be funded by other means? Will this museum truly be innovative and depend on audience participation? What do you think of performance art?What do you think of Marina Abramovic's art?
I am not sure if I will donate. It may seem shallow and silly, but am still a bit hesitant to give my money to someone so wealthy. But it is going to creating a museum. A museum for performance art, which I myself create. (Maybe I will be in there someday. It would be pretty amazing to have work in a major museum that I helped fund.... *sigh* Dreams.) In a world where art and art education budgets are being cut, spreading knowledge of art is very important. This museum will help do that. And I have to admit, getting a hug form Marina Abramovic for just $1 is tempting.
Monday, July 29, 2013
A mural was destroyed in the Ukraine.
This article was sent to me by my friend Sue Hanna. http://www.cimam.org/?utm_source=CIMAM+NEWSLETTER+MAILING+LIST&utm_campaign=ed78d6a06f-REGISTRATION_OPENS4_14_2013&utm_medium=email&utm_term=0_9bed3b7ae9-ed78d6a06f-66304077
A painting has been destroyed in the Ukraine... The headline reads "Ukrainian Museum Director Destroys Critical Painting Ahead Of President's Visit". The director, Natalia Zabolotna, apparently found the painting "Immoral... against the motherland..." and threw black paint on it. The artist Volodymyr Kuznetsov came to work on the mural and was not allowed in. I am so sad.. no angry about this. Nobody should destroy another person's work. I do not know what I would do if my work was vandalized. Apparently other works that were in the show, which the director deemed "immoral" were also removed.
I know things like this have happened before; the destruction of artwork, but I just find it so disheartening. If you don't agree with the message don't destroy it, discuss it. Have a meeting of the minds. Don't act in anger and haste because you feel you are right.
I suppose the only bright side that comes out of events like this, is that it draws attention to events like this. Maybe this will open discourse on the subject of the mural.
I can't articulate my thoughts right now. What do you all think?
A painting has been destroyed in the Ukraine... The headline reads "Ukrainian Museum Director Destroys Critical Painting Ahead Of President's Visit". The director, Natalia Zabolotna, apparently found the painting "Immoral... against the motherland..." and threw black paint on it. The artist Volodymyr Kuznetsov came to work on the mural and was not allowed in. I am so sad.. no angry about this. Nobody should destroy another person's work. I do not know what I would do if my work was vandalized. Apparently other works that were in the show, which the director deemed "immoral" were also removed.
 |
| Ukrainian artist Volodymyr Kuznetsov’s “Koliivschina: Judgment Day” |
I know things like this have happened before; the destruction of artwork, but I just find it so disheartening. If you don't agree with the message don't destroy it, discuss it. Have a meeting of the minds. Don't act in anger and haste because you feel you are right.
I suppose the only bright side that comes out of events like this, is that it draws attention to events like this. Maybe this will open discourse on the subject of the mural.
I can't articulate my thoughts right now. What do you all think?
Monday, July 8, 2013
The Lovely Local Artist... I mean The Logo.
Hey everyone. I promise to put up another post really soon. But is it day 18 of my friend's Kickstarter and their first Update is about ME!!!! (*Waves graciously*) http://www.kickstarter.com/projects/2060915115/closet-brew-meadery/posts/527594?ref=activity
OK, OK. It is about the awesome logo I designed! It took about a year, but after several tries and changes the logo looks beautiful. But I suppose that is what commissioned advertising work is about. I wanted to get it just right for the guys, so it took some time.
Did I mention, if you back the project you can get items with my awesome logo on it? (*SMILES BIGGEST SMILE EVER*) Hint... Hint...
I am sure there will be even more changes in the future, but I am so happy that I got to be a small part of this project.
Check out the update!http://www.kickstarter.com/projects/2060915115/closet-brew-meadery/posts/527594?ref=activity
OK, OK. It is about the awesome logo I designed! It took about a year, but after several tries and changes the logo looks beautiful. But I suppose that is what commissioned advertising work is about. I wanted to get it just right for the guys, so it took some time.
 |
| Design #1: I was happy with this, but the guys wanted more detail.. and color... Some people just don't understand minimalism. |
 |
| Design... A far number away from one: This is the latest version. I still prefer #1. :-) |
I am sure there will be even more changes in the future, but I am so happy that I got to be a small part of this project.
Check out the update!http://www.kickstarter.com/projects/2060915115/closet-brew-meadery/posts/527594?ref=activity
Monday, June 24, 2013
I'm Famous!
I would like to thank all of the little people who got me to where I am. *Waves graciously*
Okay... I'm not famous. But I do have a small write up in the Art Association of Harrisburg newsletter. See the bottom of Page 5. http://www.artassocofhbg.com/2013%20Summer%20Newsletter.pdf
It is a very nice write up. They also have the Late summer and Fall class schedules up. Take a look! http://www.artassocofhbg.com/classes-list.html
I will be teaching Hand-Built Pottery and the Majolica class again! The next set of classes start July 15th.
You can sign up here: http://www.artassocofhbg.com/2013%20Summer%20Class%20List.pdf Just fill out the information and send payment to The Harrisburg Art Association. The association has a number of great classes. So if ceramics isn't your thing, there are a lot of other art forms to try.
Okay... I'm not famous. But I do have a small write up in the Art Association of Harrisburg newsletter. See the bottom of Page 5. http://www.artassocofhbg.com/2013%20Summer%20Newsletter.pdf
It is a very nice write up. They also have the Late summer and Fall class schedules up. Take a look! http://www.artassocofhbg.com/classes-list.html
I will be teaching Hand-Built Pottery and the Majolica class again! The next set of classes start July 15th.
Hand-Built Pottery
(Ages 15 through Adult)
Reservoir Park Pottery Studio, 6 weeks
Recommended for those who have never participated in a clay
class as well as more experienced potters who enjoy working without a wheel,
the class will teach building projects with clay using coil, slab and free-form
techniques. Clay, glazing and firing costs are included.
Additional clay may be purchased at $10 per bag.
Instructor: Emmanuelle Wambach, MFA
$95.00
July 15th- August
19th | Mondays, 6–8:30pm
Majolica: Using Clay as a Canvas
(Ages 15 through Adult)
Reservoir Park Pottery Studio, 6 weeks
Dating back to the 10th century, majolica hand-painted
pottery has transformed everyday objects into multi-dimensional works of art.
We will spend the first half of the class working with clay to make pieces,
functional or sculptural, and the second half exploring majolica and its
techniques–utilizing a variety of brushwork and resist techniques. We can
accommodate those new to clay and the experienced artist. This can also be an
exciting new medium for painters to try, using large slabs and tiles as a
canvas. Email the instructor with any questions at emmanuelle.wambach@gmail.com
Instructors: Emmanuelle Wambach, MFA
$95.00
| July 17th – August 21st| Wednesdays, 6–8:30pm
You can sign up here: http://www.artassocofhbg.com/2013%20Summer%20Class%20List.pdf Just fill out the information and send payment to The Harrisburg Art Association. The association has a number of great classes. So if ceramics isn't your thing, there are a lot of other art forms to try.
Friday, June 21, 2013
A Shameless Plug... It's my blog, I can do what I want!
So I know this is supposed to be a blog about my art, and my thoughts on art... but brewing is an art. Isn't it? So in the spirit of Community, Art, and Alcohol, I shamelessly plug my amazing friends' Kickstarter!
http://www.kickstarter.com/projects/2060915115/closet-brew-meadery?ref=live
The amazing duo of Ben Adelman and Brian Murdzak launched their Kickstarter today to hopefully fund the creation of their Meadery company, CLOSET BREW MEADERY! Now when I say mead I mean that fermented honey drink of the gods, enjoyed by Vikings and even Odin himself!
Most people who say they have had mead have really only had honey wine (I am looking at your PA Renfire goers!). White wine flavored with honey. Closet Brew Meadery makes the real stuff. A smooth semi sweet drink made completely from honey, not wine. Brian's family has been brewing for a long time, and he and Ben finally decided it was time to take this home brew to the next level.
I have been lucky enough to try some of the first batches. I am not a big drinker. I actually don't like the taste of alcohol. But I loved this mead when I tried it. It was smooth and refreshing, but hardy. Really I can't describe it well enough to do it justice. You will just have to try it yourself. And the only way you will be able to do that is by BACKING THE CLOSET BREW MEADERY KICKSTARTER :-)! (See how I worked that in there. "Oh the cleverness of me!" -Peter Pan)
So please check out their page (SEE LINK ABOVE) and share it with as many people and in as many ways as you can! Like them on Facebook. https://www.facebook.com/closetbrewmeadery?fref=ts
And Follow them on Twitter! https://twitter.com/ClosetBrewMead
And again, Brewing is an art. And as they say "The earth without art (and alcohol), would just be 'Eh'."
http://www.kickstarter.com/projects/2060915115/closet-brew-meadery?ref=live
 |
| I guess this post is about my art in a way. I did design the logo. |
Most people who say they have had mead have really only had honey wine (I am looking at your PA Renfire goers!). White wine flavored with honey. Closet Brew Meadery makes the real stuff. A smooth semi sweet drink made completely from honey, not wine. Brian's family has been brewing for a long time, and he and Ben finally decided it was time to take this home brew to the next level.
I have been lucky enough to try some of the first batches. I am not a big drinker. I actually don't like the taste of alcohol. But I loved this mead when I tried it. It was smooth and refreshing, but hardy. Really I can't describe it well enough to do it justice. You will just have to try it yourself. And the only way you will be able to do that is by BACKING THE CLOSET BREW MEADERY KICKSTARTER :-)! (See how I worked that in there. "Oh the cleverness of me!" -Peter Pan)
So please check out their page (SEE LINK ABOVE) and share it with as many people and in as many ways as you can! Like them on Facebook. https://www.facebook.com/closetbrewmeadery?fref=ts
And Follow them on Twitter! https://twitter.com/ClosetBrewMead
And again, Brewing is an art. And as they say "The earth without art (and alcohol), would just be 'Eh'."
Thursday, June 6, 2013
You can touch my hair.
The internet site JEZEBEL Just printed this article today, by a female mixed race writer
http://jezebel.com/exhibit-asks-people-to-explore-tactile-fascination-wit-511761850
Here is a link from the website JEZEBEL to an interesting event ... I have had people just come up to me an touch my hair. Some ask, but mot don't. Usually, if I am not surprised and accidentally scream at the person, I say " Oh, its OK, you can touch it." But I don't know about setting up an event for touching hair. But maybe that is because I've had my hair, bi racial, curly, frizzy, amazing hair, for my whole life. I don't understand why people want to touch it. I mean people seem to like the frizz, and how sometimes it can go crazy and stand up by its self. ( I can make myself a unicorn with no hair gel!) But I have to say, I do have friends, of many races, whose hair I would love to touch and play with. So maybe this event, gets people to ask questions they were afraid to ask. Or maybe it is just an awesome way to bring people together. Maybe it is all about being fascinated by what is different from ourselves... I don't know. What do you all think? But if anyone is curious, they seem to be having another event soon. If anyone goes, please tell me all about it!
Tuesday, May 21, 2013
John Green and Ai Weiwei
Get ready for rambles! So tonight I watched a video by Author and You Tuber John Green. As he is my favorite Vlog Brother (I'm sorry Hank!!!) I make it a point to watch all of his videos. Today's video was about the exhibition Ai Weiwei: According to What? which is on view right now at the Indianapolis Museum of Art. Here is a link to the video: http://www.youtube.com/watch?v=nDwTjPsG4b0
(If you haven't seen a video by the Vlog Brothers, check them out! They have videos on a variety of subjects and are just so entertaining! But be warned, I got hooked and it took me three months to watch all of their videos.)
In his video, John Green discusses his visit to the exhibition. He states that he believes that Ai Weiwei"...is Probably the most important artist alive...". And I find it hard to argue with Mr. Green. Ai WeiWei records his life, draws attention to social issues, and creates work that is so emotional that sometimes it is hard to experience it.
He uses social media to create and distribute his art. Here is his Tumblr, which has gained acclaim on the interwebs: http://www.tumblr.com/tagged/ai%20weiwei . Not only is his art thought provoking and emotion filled, but it is impeccably made and thought out. My favorite images, are of his worked "Stacked" where is created a maze-like installation of 7,600 bicycles to represent over consumerism, but also a vital piece of Chinese transportation:http://www.treehugger.com/urban-design/ai-weiwei-bicycle.html
Ai Weiwei has undergone so many hardships and even persecution for his work. I am sure many of you heard about his 2011 arrest and detainment by the Chinese government for "economic crimes". He was held in a detention center for 81 days before he was released. I find his event almost unbelievable because just 3 years before he was the head designer for the Chinese nest stadium for the 2008 Beijing Olympics. However, Ai Weiwei did distance himself from the project as it progressed.
I am not saying that other artists don't fit this criteria, have similar experiences of persecution with their work, or don't create work that touches the viewer's emotions. However Ai Weiwei's work is so raw and meaningful that I feel that it should hold a special and high place in our "post post contemporary modern art" world. (I am still not sure what era of art we are in... Are we Po-Po-Mo, or Po-Po-Co-Mo... or just contemporary...? A topic for another time.)
Here is the link to the IMA web page for the show: http://www.imamuseum.org/aiweiwei . The show is touring the country! I unfortunately will not have the chance to go. But if you have the chance, GO. SEE. IT. It should be amazing.
Also, the 2012 documentary Ai Weiwei: Never Sorry is available on Netflix Streaming! I know what I am doing tonight. Have a great evening everyone.
(If you haven't seen a video by the Vlog Brothers, check them out! They have videos on a variety of subjects and are just so entertaining! But be warned, I got hooked and it took me three months to watch all of their videos.)
In his video, John Green discusses his visit to the exhibition. He states that he believes that Ai Weiwei"...is Probably the most important artist alive...". And I find it hard to argue with Mr. Green. Ai WeiWei records his life, draws attention to social issues, and creates work that is so emotional that sometimes it is hard to experience it.
Ai Weiwei has undergone so many hardships and even persecution for his work. I am sure many of you heard about his 2011 arrest and detainment by the Chinese government for "economic crimes". He was held in a detention center for 81 days before he was released. I find his event almost unbelievable because just 3 years before he was the head designer for the Chinese nest stadium for the 2008 Beijing Olympics. However, Ai Weiwei did distance himself from the project as it progressed.
I am not saying that other artists don't fit this criteria, have similar experiences of persecution with their work, or don't create work that touches the viewer's emotions. However Ai Weiwei's work is so raw and meaningful that I feel that it should hold a special and high place in our "post post contemporary modern art" world. (I am still not sure what era of art we are in... Are we Po-Po-Mo, or Po-Po-Co-Mo... or just contemporary...? A topic for another time.)
Here is the link to the IMA web page for the show: http://www.imamuseum.org/aiweiwei . The show is touring the country! I unfortunately will not have the chance to go. But if you have the chance, GO. SEE. IT. It should be amazing.
Also, the 2012 documentary Ai Weiwei: Never Sorry is available on Netflix Streaming! I know what I am doing tonight. Have a great evening everyone.
Wednesday, April 24, 2013
You don't "get" Abstract Experssionism, huh? WHY DON'T YOU LOVE AMERICA!?
So... My mind was just blown (In other words, I may ramble... A warning to you all). I just read an article that claims the the CIA funded and promoted Abstract Expressionism in the US after World War II as a way to combat the rise of Communism in the US during the Cold War. http://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html
Now I am going to put a "Don't trust everything you read on the Internet" here...3...2...1.. Okay.
But I believe this is pretty solid. A CIA Case worker on the project, Donald Jameson, spoke out about what the CIA did in those early days. But if it is a big hoax, it is well thought out and worth thinking about in a day like ours when art seems to be cut instead of funded.
It makes sense. Apparently the CIA infiltrated theater, writing, and art, as a way of promoting American visuals and culture. They wanted to play up the differences between Russia and the US. Russia was stuck in a time of Socialist Realism in its art work. Abstract Expressionism was so Avant-garde and different that it made Russia's art at the time seem antiquated and stylized. It is a great publicity tool. ---Don't look to the old Russian ways, look to the fresh new, American and Western European Movements!
RUSSIA Socialist Realism
USA Abstract Expressionism
I guess my mind is blown, because When I hear about the reception of Abstract Expressionism, I don't think of many "Square people" to use the slang of the time, jumping up and down to support it... I think of people saying "That isn't art". And many of these artists and playwrights and people seemed to lean more towards the left, towards socialist policies. These artists seemed to be anti government and establishment. But that is discussed in the article.
"Matters of this sort could only have been done at two or three removes," Mr Jameson explained, "so that there wouldn't be any question of having to clear Jackson Pollock, for example, or do anything that would involve these people in the organization. And it couldn't have been any closer, because most of them were people who had very little respect for the government, in particular, and certainly none for the CIA. If you had to use people who considered themselves one way or another to be closer to Moscow than to Washington, well, so much the better perhaps." -Donald Jameson
However, Jackson Pollock was in Life and Time Magazine. Abstract Expressionists did take over every gallery form the late 40's to the early 60's.There works ended up in government buildings and prestigious galleries. But then I think of the McCarthy era where these artists as well as writers and film makers were all black listed, or tried as communists. It all seems almost too hard to believe.
Now, this may make some people say, this undermines the movement and A.E. would never have become what it was without government help! But I don't believe that is true. The USA was moving towards a change after WWII. It wanted new, fresh, and things that were American. I believe it would have caught on just as it did... but if the CIA really was involved... maybe it just caught on a little faster.
I would like to believe this article is true, not just so when my friends who don't "get" Abstract Expressionism say "I can do that" or "That isn't art" I can say "WHY DON"T YOU LOVE AMERICA!?!" But also because it shows the government taking a real interest in art, and seeing how useful it can be. I feel, like I am sure many artists feel, that people take art for granted. It is not as appreciated as it should be. Art programs are cut before sports programs. Many grants and programs that once helped art flourish are gone. but then I hear about programs as in this article, or other government programs that supported Fine Arts, such as the WPA (The Works Progress Administration) or The Federal Arts Project, or The Federal Writers' Project, which all gave money to artists during the depression to create cultural and beautification projects. These programs created jobs for artists and raised moral during the depression. http://www.indiana.edu/~liblilly/wpa/wpa_info.html
This article makes me think, why are we cutting art programs, when art could be so useful? Could we use art to fight hate and terrorism? Absolutely! Can we use art to teach children to think creatively and critically? Yes! I even read a study recently that measure how much morale rose when a person went to an art show or theatrical performance. It rose exponentially and significantly improved the quality of life. I will post the name of the study here once my supervisor sends it to me. (It is very interesting. I suggest reading it.) Or in this recession we are experiencing, wouldn't it be nice to have something like the WPA to raise morale through beautification projects and create jobs? (See my previous post about The Mural Arts Project in Philadelphia). http://emmanuellewambach.blogspot.com/2013/03/amazing-street-art-site.html
I suppose I am just angry with the situation of art today. Other questions arise like, would many artists see taking government money as "selling out"? Would the art have to change to be more what the government wanted? I guess it is a double edged sword. I was just intrigued and blown away to see how art was once seen by even the highest in government as a valuable tool for world change and prosperity. It still is, and can be today... but it is hard to think that it is appreciated when I see art budgets get cut everyday and programs wiped away.
But yes, this was a very interesting article. Sorry for getting all preachy at the end there.
Now I am going to put a "Don't trust everything you read on the Internet" here...3...2...1.. Okay.
But I believe this is pretty solid. A CIA Case worker on the project, Donald Jameson, spoke out about what the CIA did in those early days. But if it is a big hoax, it is well thought out and worth thinking about in a day like ours when art seems to be cut instead of funded.
It makes sense. Apparently the CIA infiltrated theater, writing, and art, as a way of promoting American visuals and culture. They wanted to play up the differences between Russia and the US. Russia was stuck in a time of Socialist Realism in its art work. Abstract Expressionism was so Avant-garde and different that it made Russia's art at the time seem antiquated and stylized. It is a great publicity tool. ---Don't look to the old Russian ways, look to the fresh new, American and Western European Movements!
RUSSIA Socialist Realism
 |
Vladimirski, Boris Eremeevich (1878-1950) "Roses for Stalin" Date: 1949 |
USA Abstract Expressionism
Montauk Highway/ Willem de Kooning (Netherlands, active United States, 1904-1997) |
 |
Jackson Pollock (American, 1912–1956)One: Number 31, 1950 ON View at MoMA in NYC |
I guess my mind is blown, because When I hear about the reception of Abstract Expressionism, I don't think of many "Square people" to use the slang of the time, jumping up and down to support it... I think of people saying "That isn't art". And many of these artists and playwrights and people seemed to lean more towards the left, towards socialist policies. These artists seemed to be anti government and establishment. But that is discussed in the article.
"Matters of this sort could only have been done at two or three removes," Mr Jameson explained, "so that there wouldn't be any question of having to clear Jackson Pollock, for example, or do anything that would involve these people in the organization. And it couldn't have been any closer, because most of them were people who had very little respect for the government, in particular, and certainly none for the CIA. If you had to use people who considered themselves one way or another to be closer to Moscow than to Washington, well, so much the better perhaps." -Donald Jameson
However, Jackson Pollock was in Life and Time Magazine. Abstract Expressionists did take over every gallery form the late 40's to the early 60's.There works ended up in government buildings and prestigious galleries. But then I think of the McCarthy era where these artists as well as writers and film makers were all black listed, or tried as communists. It all seems almost too hard to believe.
Now, this may make some people say, this undermines the movement and A.E. would never have become what it was without government help! But I don't believe that is true. The USA was moving towards a change after WWII. It wanted new, fresh, and things that were American. I believe it would have caught on just as it did... but if the CIA really was involved... maybe it just caught on a little faster.
I would like to believe this article is true, not just so when my friends who don't "get" Abstract Expressionism say "I can do that" or "That isn't art" I can say "WHY DON"T YOU LOVE AMERICA!?!" But also because it shows the government taking a real interest in art, and seeing how useful it can be. I feel, like I am sure many artists feel, that people take art for granted. It is not as appreciated as it should be. Art programs are cut before sports programs. Many grants and programs that once helped art flourish are gone. but then I hear about programs as in this article, or other government programs that supported Fine Arts, such as the WPA (The Works Progress Administration) or The Federal Arts Project, or The Federal Writers' Project, which all gave money to artists during the depression to create cultural and beautification projects. These programs created jobs for artists and raised moral during the depression. http://www.indiana.edu/~liblilly/wpa/wpa_info.html
This article makes me think, why are we cutting art programs, when art could be so useful? Could we use art to fight hate and terrorism? Absolutely! Can we use art to teach children to think creatively and critically? Yes! I even read a study recently that measure how much morale rose when a person went to an art show or theatrical performance. It rose exponentially and significantly improved the quality of life. I will post the name of the study here once my supervisor sends it to me. (It is very interesting. I suggest reading it.) Or in this recession we are experiencing, wouldn't it be nice to have something like the WPA to raise morale through beautification projects and create jobs? (See my previous post about The Mural Arts Project in Philadelphia). http://emmanuellewambach.blogspot.com/2013/03/amazing-street-art-site.html
I suppose I am just angry with the situation of art today. Other questions arise like, would many artists see taking government money as "selling out"? Would the art have to change to be more what the government wanted? I guess it is a double edged sword. I was just intrigued and blown away to see how art was once seen by even the highest in government as a valuable tool for world change and prosperity. It still is, and can be today... but it is hard to think that it is appreciated when I see art budgets get cut everyday and programs wiped away.
But yes, this was a very interesting article. Sorry for getting all preachy at the end there.
Wednesday, April 17, 2013
Another filler post! I am going to ramble... Just a warning.
Today I have more drawings spanning from High school to Graduate School. I wanted to look back at my drawings to find common themes and threads that seem to pop up. Hopefully looking back at these drawings can help me come up with new ideas for my future work.
From my doodles and drawings I found three themes. The first is women and fashion. I have always loved fashion, so that was not a surprise. (There will be a post soon about art in fashion, and fashion in art.) All of the women I draw are either ethereal or strong and, as my brother would say, kick-ass. Most of them don't have faces...I am not sure why. I never really liked drawing faces. I like to imagine myself as the women I draw. They all are a part of my personality.
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The second theme seems to be weird and creepy... I know that doesn't sound like a theme, but Monsters and Aliens sounds just as unusual. I love horror movies, ghost stories, myths and legends. Even my undergraduate show included monsters that I created. I like to create my own worlds, and these drawings were the beginning.
The last theme is color. I love color... Period, end of Sentence.
I am not sure if these themes will help me get my ideas in order, but it was fun seeing how my drawing has evolved. I hope you enjoy.
Today I have more drawings spanning from High school to Graduate School. I wanted to look back at my drawings to find common themes and threads that seem to pop up. Hopefully looking back at these drawings can help me come up with new ideas for my future work.
From my doodles and drawings I found three themes. The first is women and fashion. I have always loved fashion, so that was not a surprise. (There will be a post soon about art in fashion, and fashion in art.) All of the women I draw are either ethereal or strong and, as my brother would say, kick-ass. Most of them don't have faces...I am not sure why. I never really liked drawing faces. I like to imagine myself as the women I draw. They all are a part of my personality.
.bmp)
The second theme seems to be weird and creepy... I know that doesn't sound like a theme, but Monsters and Aliens sounds just as unusual. I love horror movies, ghost stories, myths and legends. Even my undergraduate show included monsters that I created. I like to create my own worlds, and these drawings were the beginning.
The last theme is color. I love color... Period, end of Sentence.
I am not sure if these themes will help me get my ideas in order, but it was fun seeing how my drawing has evolved. I hope you enjoy.
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